The canvases reflect his graffiti roots and therefore present abstract and planar compositions, complemented by wild splashes. Observing his visual imagery he developed a practice of graffiti that is no longer based on the deformation of the letter, but on a transposition of geometric shapes which inhere the elementary typography of letters.
The series has been strongly influenced and evolved through his street project madmaxxx. Therefore the artist has exclusively used the Montana-Madmaxxx spray can whose fat cap imitates an immense calligraphic pen. The ambition and the approach in these works are to find a new form of graffiti that contains neither a tag nor a throw up!
In this series especially the subject of singularity was significant to L’outsider, because in his opinion there are parallels to the intentions of every artist. He sees the singularity and individuality of an artist as the ultimate goal. In his case he composes paintings by splitting the composition into an accumulation of different sensations or experiences of his life, that in the end are juxtaposed and dialogue together.
Tania Di Brita