This original collaboration was inspired by the idea of presenting the artist’s works in their contextual setting. Indeed, part of the series depicts musicians in patches of warm and cool colors, an ambiance reflected in the interior architecture of the recording studio. Visitors to the exhibition also had the opportunity to tour the studio and its famous SSL 4064 G+ analog console, and to enjoy an intimate concert by the Alf Pastix. It is particularly interesting to discover these works in this unique venue, which has hosted renowned musicians such as Toni’s Big Band, No One Is Innocent, Les Tambours du Bronx, the Septeto Nacional de Cuba, Alizée, Georgio, and Kamini.
The second part of the exhibition features ‘Gangsters’ in bars and restaurants inspired by Italian mafia films from the 90s, using the same aesthetic as the musician canvases. These characters are derived from the traditional ‘b-boys’ that graffiti artists draw next to their tags, often seen alongside those of Gaspard Louane. This character is an actor who confronts the viewer with a frontal gaze; in this series, it becomes clear that the viewer is actually the subject’s dining companion. The paintings give the impression that we are seated across from the ‘Gangster’, who is addressing us directly.